V&A Museum: British Design 1948–2012: Innovation in the Modern Age

Yes, I love British Design, but that isn’t much of a secret: I’ve written about the Halley Research Station, British Design Classics stamps by Royal Mail, British Rail Corporate Identity, 1965-1994 and innumerable posts about the London Underground Map. So I bring great tidings: at the Victoria and Albert Museum in London is an exhibition which has been ongoing for the last few months entitled British Design 1948–2012: Innovation in the Modern Age:

In 1948 London hosted the first Olympic Games after the Second World War. The ‘Austerity Games’ (as they became known) took place at a time of economic crisis in a city devastated by bombing, but they provided a platform for reconciliation and reconstruction. In 2012 Britain welcomes the Olympics once more, and while the spirit remains, the context in which they are taking place has entirely changed. British Design 1948–2012 traces those changes by exploring buildings, objects, images and ideas produced by designers and artists born, trained or based in Britain.

The displays examine the shifting nature of British design over 60 years: three galleries respectively explore the tension between tradition and modernity; the subversive impulse in British culture; and Britain’s leadership in design innovation and creativity. The exhibition reveals how British designers have responded to economic, political and cultural forces that have fundamentally shaped how we live today. They have created some of the most inventive and striking objects, technologies and buildings of the modern world.

The V&A is an amazing museum, and if you are anywhere near London, you must see this exhibit before 12 August 2012.

The above video features the following designers:
Jay Osgerby & Edward Barber (Barber Osgerby) – London 2012 torch designers
Margaret Calvert – Motorway Sign designer
Andrew Stevens & Paul Neale (Graphic Thought Facility) – exhibition show designers
Kenneth Grange – Kodak camera designer (Brownie Vectra Camera)
Thomas Heatherwick – London Transport bus redesign

Prince Holds The Katamari On His Shoulders

Prince Holds The Katamari On His Shoulders

This was for my sculpture 1 class at the Academy of Art University over in SF. we were to make a sculpture in wax to be cast into bronze. The topic of katamari damacy came up with a friend and i decided i might wanna do something in that theme… but then again i also wanted to make an Atlas holding the world on his shoulders… so i thought about it and the only logical conclusion is that i should do both!

The sculpture is 9 lbs. of cast bronze, 8″ tall, with a liver of sulfur cold patina base on both pieces and then a cupric hot patina on the Prince. the Katamari is designed to balance on the back/arms of the Prince so the two pieces are not welded together (this was an aesthetic choice because it’s really cool holding the ball on its own and also i wanted to make sure the patina on both was distinctly separate). the Katamari was cast hollow with one bump missing which was then welded on later.

What is the Katamari Damacy? Only the trippiest and most awesome game for Playstation 2, where you have a sticky ball and you have to roll larger and larger things. All of this is to fix the damage the King of All Cosmos‘ created after a night of binge drinking which wiped out all the stars from the sky. The King, who is dissatisfied with his 5-cm-tall son’s small size, charges the Prince to go to Earth with a “katamari”—a magical ball that allows anything smaller than it to stick to it and make it grow to collect enough material to recreate the stars and constellations. If you play long enough The Prince is successful, and the sky is returned to normal, but the Earth is destroyed.

Like I said, it is pretty awesome and hypnotizing game.

See more photos of the Prince Holds The Katamari On His Shoulders.

prince holds the katamari on his shoulders

prince holds the katamari on his shoulders

Graduation Dispora

There is a really interesting article in the New York Times about college graduates clumping in certain metros, and I was wondering if my friends, and friends of friends, also fit this pattern.

So can you please take a minute and fill out the following form. The data will be anonymous – give me as much as you feel comfortable – and I will never, ever sell or give away this dataset to a third party.

The Craft of Everyday

Here is a short video I created along with my coworkers celebrating the craft of the everyday located around our office in Mumbai.

We had a limited amount of time to plan (2 days), shoot (1 day) and edit (4 days), but those constraints ended up making the process a lot of fun. At one point there was going to be a series of hand-carved frames in each shot highlighting the craft, but that became just impossible to execute and (as expected) drew a huge crowed.

Five of us got into a Toyota van and ran around the city for a day filming carpenters, frame wallahs, a paan wallah, a juice wallah, garland wallahs, and a sugarcane wallah. We used my 5d mark II camera and a host of lenses (18mm fisheye, 35mm f2.0, 50mm f1.4, 70-200mm f2.8 non-IS) in a pretty stripped down rig. I didn’t even have my Zacuto Z-Finder with me – so there was a lot of zooming in to focus and stopping down so the depth of field wasn’t too shallow.

It would have been nice to have a shoulder rig, which would have stabilized any moving shot, but we had to content ourselves with locking the camera down on a very lightweight tripod. This ended up being a blessing since we could set up and strike the set quickly, but also meant that we had to really strip down and constrain the shooting style.

Photos of Peter Eisenman’s DAAP Building Renovation

We’ve written extensively about Peter Eisenman’s University of Cincinnati DAAP building skyrocketing renovation costs, which are now estimated to cost $10 million. An UC alumnus writes in with the following photos of the renovation in progress. You can see in the photos that the surface EIFS Dryvit material is being stripped away to the steel stud or concrete block structure. These photos makes me wonder what a translucent or transparent surface would look like – the structural gymnastics the metal studs are performing are amazing.