On the The True Cost of Unwalkable Streets in the States. Come to India, and see another dimension: loss of life and frequent injuries.
Beinecke Rare Book and Manuscript Library
Sword & Sworcery LP – The Ballad of the Space Babies
Awesome soundtrack to a quirky iPhone game, Sword & Sworcery is now out for digital download, 180 gram LP and limited time cassette.
Kickstarter: The American Drive-in Movie Theater by Carl Weese
The American Drive-in Movie Theater by Carl Weese — Kickstarter:
The drive-in movie theater is an iconic feature of the American landscape, perhaps the ultimate vernacular architecture. At the peak in 1958 more than four thousand of them were scattered across every corner of North America. There was a great die-off in the 1970s, mainly because of rising property values. Theater owners have told me, “Nobody gets rich from a drive-in theater, unless they sell the land to Walmart.” 466 drive-ins were still operating last summer. The drive-in is also a uniquely North American institution—they are virtually unknown elsewhere.
You call them Lobbyists, we call them Expeditors
Big Media Matt has a prickly post riffing on a Politico story arguing that, Mitt Romney Shouldn't Need a Dedicated Lobbyist To Build His Tacky Megamansion:
Romney’s house sounds tacky and extravagant, but it’s not some kind of public safety hazard in urgent need of regulation. You shouldn’t need dedicated lobbyists to get permission to build buildings on property you legitimately own. At the end of the day, Romney is going to be able to hire the lobbyist and get his mansion built. But these same hurdles afflict people who might be interested in affordable housing for low-income people or simply regular old market rate structures for the middle class.
Not to defend Mitt Romney, but aesthetics aside, hiring a third-party to navigate regulations isn’t ground breaking.
In New York City, generally you need an Expediter to file a permit application at the Department of Buildings in order to assit you through the different building codes (there are three currently in force), zoning codes and the general bureaucracy which each building permit application must go through to gain approval. The regulation complexity of having 200+ year old tenement buildings next to skyscrapers (the above photo has structures built ranging from 1883 to 2011) has created a new middleman whose job is to push paper, and in some cases, offer code review. Sometimes the Expediter is the very same architect which is designing and overseeing the project; I was once an Expediter and dealt directly with the DoB on projects I was designing under the review of a licensed architect. This is normal and part of the current process in New York City, Washington DC, Cincinnati, and other locations.
Aesthetics aside, I would argue that structures are, contra Yglesias, a public safety hazard in urgent need of regulation: buildings can, and do, fall down killing people. Having an effective, and efficient, code review process is necessary and proper to guard the citizenry from unsafe and hazardous building. Just recently an architect in California was charged in the death of a firefighter after he installed four outdoor fireplaces inside the house, in violation of building codes. This architect basically built a firetrap, and used faulty piping for the sprinklers which appears to have directly contributed to the death of a firefighter.
There are tons of other examples of willful or unintentional negligence by architects, engineers and builders which has caused building damage and death. This is why becoming a licensed architect is so onerous, and why building codes (which often seem to get in the way of your precious design) are to be followed.
Can the permit process be more efficient, and less encumbered by red tape? Yes. Should government find a balance between efficiency and the mandate to create a safe environment? Yes. Does the presence of this third-party mean we should deregulate building permit applications? No.
I hope that Matt is arguing for more efficient code review, rather than no code review; the only reason Politico called Romney’s expediter a Lobbyist is that it fits Romney’s larger narrative of being out of touch and super rich (which is probably true).
Megastructures are the Shopping Malls of the Avant-Garde
The avant-garde is a paradoxical state. In order to exist, it relies on its incongruous condition of being both fundamentally contemporary and ahead of its time. A conceptual palimpsest, the avant-garde requires writing its history over its own past keeping a vulnerable balance between present problems, and possible future solutions. All about contextualizing the perfect timing, what happens when the avant-garde goes out of sync; when its solutions are overlooked for being too premature, or ridiculed for being delayed?
Barry Lyndon: Use of the Mitchell BNC Camera and Zeiss Lenses
Interviewees reminisce on how Stanley Kubrick acquired the Mitchell BNC cameras and used them, in conjunction with NASA Zeiss lenses, to film “Barry Lyndon” using natural light.
Kubrick used three NASA-built 50mm f0.7 aperture lens so he could shoot literally by candlelight. f0.7! That’s two full stops faster than any lens you can get today.
via Barry Lyndon: Use of the Mitchell BNC Camera and Zeiss Lenses – YouTube.
Robin Hood Gardens slated for Demolition
Four years ago Gordon Brown wants to demolish Robin Hood Gardens – the brutalist council housing designed by Alison and Peter Smithson. Even a successful design competition could not spare its fate. Londonist updates us on the status of Robin Hood Gardens:
Opened in 1972, the estate, formed of two long concrete blocks designed by husband and wife team Alison and Peter Smithson (also responsible for the Economist building in Piccadilly) had become a cause célèbre in recent years, ever since tearing it down was first proposed in 2008. Architects Zaha Hadid and Richard Rogers, and former Guardian architecture critic Jonathan Glancey, joined a campaign by Building Design magazine to save the estate, and it was the subject of an exhibition. However, the decision not to award it listed status sounded the death knell.
Soon we will only have a Flickr set of photos to remember this strange, and alienating building.
Notre Dame du Haut, Ronchamp – Le Corbusier
While we took a look at Saint-Pierre, Firminy by Le Corbusier yesterday, let’s look at Notre Dame du Haut, Ronchamp: Le Corbusier 1955 tour de force.
Photo by proligde
Photo by Ryan Patterson
Photo by Anna Armstrong
Photo by brewskizzlr
Photo by Anna Armstrong