- Sharing Cultural Jewels via Instagram
- How to Build a Better Neighborhood
- China Laughed When It Saw How Cheap Solar Could Be
- Visualizing MBTA Data
- Are Baby Boomers Really Keeping Millennials From Finding Jobs?
Short answer: maybe/probably - The Architecture of StoryCorps Tells Its Own Story
- The Los Angeles Times and its Disgraceful Reporting on High Speed Rail
Tuesday – On the Road – Links
- The Corrected Geography of the Proclaimers’ ‘500 Miles’
- Vermeer’s paintings might be 350 year-old color photographs
- How the Bay Area’s Waterfront Height Limit Could Be a Disaster for Waterfront Resiliency
Once again, Bay Area residents are voting to make a situation worse than it it - NYC DoT Street Design Manual
- BIG awarded $335 million to improve Lower Manhattan storm defences
- How Highway Construction Helped Hitler Rise to Power
- Entire Back to the Future town to be recreated for anniversary screening
Friday (Friday) Links
- A Price Tag on Carbon as a Climate Rescue Plan
- While the Economy Grows, Americans Continue to Drive Less
Less roads, please - Why Do We Love Manhattanhenge So Much?
Because it’s awesome - BCXSY create linear clock for Designers’ Days
- Great moments in ferry advocacy
NYC Ferries are part of the network, but expansion and subsidization should be halted in favor of expanded an expanded CitiBike network and more subways - On Airport Connectors
I think there is a confusion about what airport connectors are good for – getting people where they want to go, often the business center. Heathrow Express is a damn find connection to CBD (but also has an Underground connection to the city); Airtrain of either EWR or JFK variety lack easy connections to the CBD; the Silver Line in Boston is just slow. - Where did Star Wars come from (below)?
Wednesday – in the nation’s capital – Links
- Remembering the Designer Who Changed the Way We Think About Transit Maps
- Berlin residents block Tempelhof airport plans
more housing would have helped the city and not destroyed the open space - The Internet with a Human Face
- Know Your Double
a doppelgänger field guide - NY Train Project
Designer Adam Chang draws the tile work of the NY Subway’s Manhattan stations - Replica Buildings
Buy tiny building replicas
Google reveals next driverless car prototype
Google showcases their next driverless car prototype:
The two-seater prototype vehicle is Google’s reimagination of what the modern automobile should look and feel like if you took the human out of the transportation equation and designed something solely to chauffeur passengers from point A to B.
The car — which was conceived and designed by Google, unlike the ones it previously modified — lacks many of the trappings of a normal car, and that includes the three essentials: A steering wheel, an accelerator and a brake pedal.
From a tech point of view, I am amazed at the complexity that they had to overcome and engineering prowess of the team. From a design point of view, I think Google needs to hire some better industrial designers.
Lastly, from an urbanism point of view, I think that this project is almost diametrically opposed to good urbanism. Just listen to Google co-founder Sergey Brin:
“The project is about changing the world for people who are not well-served by transportation today,” Google co-founder Sergey Brin said at the inaugural Code Conference in Rancho Palos Verdes, California. “There’s not great public transportation in many public places in the United States.”
We have had a 50+ year collective social experiment in this country privatizing personal mobility into private mobility subsidized by the public, at the expense of creating an efficient economy-of-scale driven transportation network. The personal car is unbelievably useful, but we have swung so far toward subsidizing personal transportation at the expense of any other transportation mode that we are only just recovering our cities from past errors.
Equitably investing in different modes of public to private transportation increases the net freedom of the individual to choose to take the subway; to choose to buy a car; to choose to walk or bike to work. Increasing choice increases our sphere of freedom.
Hopefully the introduction of driverless cars will reduce the crushing yearly death toll from motor vehicles – 34,080 for 2012 alone – and make the streets safer for other drivers who aren’t wrapped in 2,000 pounds of steel, glass, and plastic.
If anything, I hope firms such as ZipCar or Uber pioneer the use of driverless cars; we don’t need any net increase in vehicles on the road, more roads, or more parking, but we can use those roads smarter. That would be my hope for driverless cars.
Tuesday’s Mid Day Links
- This is wrong: Fare Dodging Is an Organized Rebellion in Stockholm, and It’s Winning
- Re-imagining the energy dashboard display
- In Met’s Future, a Redesigned Modern Art Wing
- Why cyclists should be able to roll through stop signs and ride through red lights
- How the Neighborhoods of Manhattan Got Their Names
- Pixel Track, by BERG (movie below)
Monday – this weekend was tough – Links
- Rent-Regulated Tenants Excluded From Amenities
- Beacons, marketing and the neoliberal logic of space, or: The Engelbart overshoot
- Happy Pills by Fabio Novembre for Venini
- Mapping Building Interiors through magnetic “fingerprint” of the structure
- Design Is About Intent
- Breathing City – work versus home animation of Manhattan
Tuesday – Just Another May Day – Links
- Dead Malls: Blight on Suburban Landscape
- A Design History Of The Life-Saving Triage Tag
- Our Smartphones Are Making Live TV Better Than Ever
- Re-Thinking the Game of Monopoly
- Super Mariachi Bros
- Austere, L.A.’s New Scandinavian Design Superstore (WSJ link)
- Conservative Pro-Growth Policies Don’t Actually Produce Any Growth
The illusion of life from cento lodigiani on Vimeo.
The Competition
This trailer is almost too hard to watch, The Competition:
Jean Nouvel, Frank Gehry, Dominique Perrault, Zaha Hadid and Norman Foster are selected to participate in the design of the future National Museum of Art of Andorra, a first in the Pyrenees small country. Norman Foster drops out of the competition after a change in the rules that allow the documentary to happen. Three months of design work go into the making of the different proposals, while, behind doors, a power struggle between the different architects and the client has a profound impact on the level of transparency granted by each office to the resident documentary crew, and which has a definite influence in the material shown in the film.